Musician Quotes

The press is like any business. It's a group of really intelligent individuals that ends up being one slathering, one-eyed, drooling monster.

The nature of honesty is that if someone has information or knows something about you that you don't want heard, then they have power over you.

Rock and roll is - and should be - a kid's place.

Now that I have found someone, I'm feeling more alone... than I ever have before.

Next door, there's an old man who lived to his nineties and one day passed away in his sleep. And his wife, she stayed for a couple of days and passed away. I'm sorry, I know that's a strange way to tell you that I know we belong.

My job is to be some sort of music/lyric psychic, to figure out that that's the right song to not fight the lyric.

My idea is to play with the people who you know want to get it right. Then it's fun and easy to record, and you can get down to details, like taking out cymbals so the verse doesn't dwarf the chorus, something like that.

Maybe this is wrong, but I feel like I craft my songs carefully enough that I still find that fifteen years after having written one, it still works for me - I'm not cringing.

It's a tough thing to know that when you're making your album, you're going to end up collaborating with, say, Wal-Mart, on your artwork. That just sucks. And the pressure behind getting the numbers real fast is, to me, dizzying.

In many ways, I've chosen to be plain, almost too plain, too self-effacing. Like, if I record a vocal and I don't like the way it sounds, I would have them turn it up and take the reverb off it to make it as plain as possible.

I'm really good at writing 'almost hits'.

I'm older than I was, and I'm still washed-up, and I haven't changed my music one iota. It's just much easier to do this when people are being nice to you.

I'm not really a strange person or anything, so if there's music I like, usually there's other people who like it too.

I'm aware that I'm very fringe, and it's nice that way.

I used to do this big rant at the end of some gigs with Ben Folds Five. The band broke into this big heavy metal thing and I started as a joke to scream in a heavy metal falsetto. I found myself saying things like: Feel my pain, I am white, feel my pain.

I do have that mindset - that most good art comes from some turmoil, from someone trying to come to some equilibrium, or come up and get a breath.

Everyone, when you're a teenager and you're growing up, you do feel like your life is dramatic enough to be on a TV screen, but we know that it's not.

Everybody knows it hurts to grow up... and we're still fighting it.

Even though I live in America more, I feel like when I go to Adelaide, that's when I get to go home.

But I really do have a soft spot for the solo shows. Any musician who writes and sings will tell you that's the center of it, that is it. It's almost like there's something church-like about it and you gotta go back there, if you're a songwriter that sings your material.

Billy Joel and Joe Jackson were both great, and they both play piano.

Because I write very simply, but inside the simplicity, there's a lot of subtlety. That's what I'm proud of.

A lot of 18-year-olds are like old men. They think they've seen everything.

The clock never stops, never stops, never waits. We're growing old. It's getting late.

Washburn's an old American name, but this one was assembled overseas.

There's just not a lot of guys around playing like that these days; a lot of steel players are plugging into stomp boxes, trying to sound like Jeff Beck on a steel guitar.

The Telecaster doesn't really sound that good for the kind of rock and roll that a lot of people played.

The only sliding I did was on the kind of instrument that you put on your lap; no Spanish electrics.

The ones I have got great necks; of course, all of the Fenders from that era are incredible.

That song has the full extent of my mandolin abilities; I'm not a good mandolin player at all.