The only sliding I did was on the kind of instrument that you put on your lap; no Spanish electrics.
“In a way you can feel that the poet actually is looking over your shoulder, and you say to yourself, now, how would this go for him? Would this do or not?”
“I thought it was a really good contrast to have a really sweet, sincere, church girl sitting next to the church lady who seemed kind of, you know, over the top.”