American Quotes

Nobody's free until everybody's free.

I am sick and tired of being sick and tired.

If ask 100 Arkansans about the phrase, 'the public option,' or 'a public option,' you'll get 100 different impressions about what that means.

Buzz and the right publicist are not only important but crucial in show business.

You are only as good as the people you dress.

I never trust a fighting man who doesnt smoke or drink.

If you want to go anywhere in modern war, in the air, on the sea, on the land, you must have command of the air.

There are no extraordinary men... just extraordinary circumstances that ordinary men are forced to deal with.

Whenever I dwell for any length of time on my own shortcomings, they gradually begin to seem mild, harmless, rather engaging little things, not at all like the staring defects in other people's characters.

The role of a do-gooder is not what actors call a fat part.

The English never smash in a face. They merely refrain from asking it to dinner.

Some persons talk simply because they think sound is more manageable than silence.

In some circumstances, the refusal to be defeated is a refusal to be educated.

I was well warned about English food, so it did not surprise me, but I do wonder sometimes, how they ever manage to prise it up long enough to get a plate under it.

He has the common feeling of his profession. He enjoys a statement twice as much if it appears in fine print, and anything that turns up in a footnote... takes on the character of divine revelation.

Bulldogs have been known to fall on their swords when confronted by my superior tenacity.

Humility is not my forte, and whenever I dwell for any length of time on my own shortcomings, they gradually begin to seem mild, harmless, rather engaging little things, not at all like the staring defects in other people's characters.

Then I sit down, work at it, because now I have a convincing feeling about what that place wants to be, you see? And it's not just me. Me and my talent comes in taking that consensus and then making something wonderful out of it - a work of art.

The whole memorial is for different senses... seeing, hearing, feeling, smelling. I probably would have come up with something different if I had not lived through it.

The war, as I felt it and a lot of my compatriots felt it, was a creative act.

One of the things I thought a lot about was how can we get the views, for instance, the main plaza, you look up to Telegraph Hill from there and therefore it would be a disaster to close that view off.

One is, that they will feel about you that you're going to make something wonderful for them. And they help you by expressing themselves. Not telling you how to do it, but encouraging you and accepting your vision and working with you on that kind of a level.

Let me just say something that I forgot, I also hoped and this was very true in the beginning - that this would also be a place that people would be able to walk in to the fountain and use it in a nice way of reading and examining the quotations on the blocks.

I suppose and I hope that the young guys who are out there losing their lives at least feel the same way I did. I shouldn't think about this very much because I'm almost weeping when I think about it.

I always say to young people when they ask me how I work, I always say to them, the only time you've ever going to do something good is if you have a good client. And by good I mean all kinds of things.

Because the quality of living with nature and allowing it to manifest itself is different than the quality of living in a city, especially a dense city.

Because over and over again, the times that I've done really good things is because I've had a wonderful client of some kind, and a lot of it depended on me to induce them to be creative.

Because one of the benefits of getting older, I guess-there are very few benefits, really - most of them are a pain in the butt. People depend on me more; they believe in me more, they think I'm good.

And I think one of the tasks that I always feel is how to get that vision out of them. Not exactly what they want, but what they want to accomplish for themselves or their community or their family.

And you finally get to a consensus, where you get a sense of what really ought to be done, and then they give it to me and then I draw it. I mean draw it in the sense, the philosophical sense.