Richard Eyre Quotes

If the arts are held up solely as a means of social insight, fantasy is denied the chance to be commonplace and reality the chance to be exotic.

I've always believed that you write to discover what you think. On most subjects, if I'm asked what do I think about them, I'd say I don't know, I'll have to write them down.

I've always argued, unsuccessfully, that there's no point in giving money to the arts unless you educate people in them.

I'm wary of artistic directors who say, 'Here is my vision', because it's empirical. Basically it's about who you work with and what plays you put on; the vision comes out of that.

I'm the classic example of alienation: I grew up in a middle-class household without art or books. I was going to be a chemical engineer until I went to the theatre for the first time at 16 and was blown away by it.

I'm never comfortable at theatre opening nights. If it's my own production I'm too wound up to be able to enjoy the performance and too wary to enjoy the event as a social occasion.

I'm inclined to think that, because it's such an awful life, that politicians do go into it for the best reasons. I mean, some may love the sound of their own voice. But it's such a wearying life, you've got to be impelled by some desire to leave the world a better place than when you came into it.

I was a chronically shy child. That kernel of my younger self is still there, but I've developed mechanisms to deal with it.

I think the collision between the First and Third world is going to become more and more conspicuous. It's the big cliff that we've all got to climb.

I sort of feel that climate change will be solved by science. I just feel instinctively that we will find a way of saving ourselves. But I am less confident that we won't destroy ourselves in other ways.

I resent all organised religions.

I have a worm's eye view and a bird's eye view simultaneously and it's immensely helpful to understand what is happening on the shop floor when you are harnessing many talents and telling an intimate story on a large scale.

I envy the happiness of others... I envy the sense of belonging... I seem always to be remaking myself.

I can't think of anyone I admire who isn't fuelled by self-doubt. It's an essential ingredient. It's the grit in the oyster.

I believe there is a relationship between having an interest in the arts and the behaviour of society as a whole. Some politicians find it difficult that the arts is a weapon of happiness... Politics is often about deprivation rather than the opening up of ideas and nourishing creative endeavour.

I am interested in the gap between what people say and what they think - the undiscovered world of people's lives. Lives of quiet desperation.

Governments have always been wary of the arts because they're wayward and ambiguous and because they deal with feelings rather than facts.

Everything people say about grandparenthood is true - it is pleasure without responsibility. It is unquestioned love.

Every action has a consequence, so always try to be good.

Don't ever be afraid to ask any question.

Change begins with understanding and understanding begins by identifying oneself with another person: in a word, empathy. The arts enable us to put ourselves in the minds, eyes, ears and hearts of other human beings.

Balance is the enemy of art.

Art is about the 'I' in life not the 'we', about private life rather than public. A public life that doesn't acknowledge the private is a life not worth having.

All good actors are very bright. You can't be stupid and a good actor. You may be inarticulate, you may not be highly educated, but all good actors are quick-witted, some of them dazzlingly so. All you do is guide them.

A place makes a deep impression on you when you're young. It lives with you. It's like your childhood. It fertilises the imagination.