Musician Quotes

I've been homeless on a few occasions.

For me, my life is a journey.

All my dreams are coming true all across the board for some reason.

We decided to play the NEC because we were asked to, and because we actually rather like the place: we've always enjoyed doing it before. We don't often get sensible offers to play in the UK, so most years we just play on the mainland, with the occasional exotic detour.

The business of being a popular entertainer in England is just too hard.

People have taught me not to look for intelligence in rockmusic.

Most writers can write, most rock 'n rollers cannot.

In the beginning, everybody that gets to work with me, thinks I'm nice. But three weeks later, they hear a bell ringing. Then they realise I meant everything I said during that first week. It's not my fault people are not taking me serious from the first moment.

I've never got on with the British press because they've always given me such a hard time. Once they build a band up they just want to do people down. They shouldn't concentrate on the colour of someone's shirt they should listen to the music.

I've been in Hamburg for about ten years and I just feel at home.

I still like being in North of England and I keep a place there. But there are a lot of things about the Continent that are to be preferred. The social institutions work better, women have a better position in society and the food is another thing.

I don't trawl record shops anymore. I usually hear music in bars or at friends' houses.

I don't enjoy British shows as a rule because British audiences are strange.

But for every hour and a half on stage, you have a five hour long bus ride, waiting for five hours at the airport, five hours of interviews... I know, it's part of the job, but that doesn't imply I have to like it.

Nothing has changed in our relationship with East West. We have no relationship with East West. We've been withholding our labour for almost seven years now.

Music is there to enrich your life and make you aware of things in a slightly different way.

I'm not sure it pays to do anything remotely public in Britain. It's such a spiteful society. People seem to enjoy making your life hard for the sake of it.

Apparently, I have a totally different sense of humour.

Postmodernism surely requires an even greater grasp of symbolism, as it's increasingly an art of gesture alone.

The citizen is becoming a pawn in a game where nobody knows the rules, where everybody consequently doubts that there are rules at all, and where the vocabulary has been diminished to such an extent that nobody is even sure what the game is all about.

I don't want people to come and see our gig because of the magnificent things I'm doing with my hips, but it's their evening, you know. They have to have fun. I'm a little bit naive.

This band has never had an argument. It's just amazing.

It's all very boring to say that we get along great and all that and sometimes we mock up come aggravation to make it interesting but the truth of it is that we get along so well we've never had an argument.

It was all recorded and mixed and there's more continuity in it more direction.

I never considered myself a songwriter, but now since I've been working with Nick Lowe, I am contributing to an extent. But I'm the guitarist and he's not, so we compliment each other in a way.

And then the last album, 'Get It', was done over a shorter period of time and I started using other musicians, as opposed to playing all the instruments myself like I did on the other two.

And then it got even worse, I mean, a few people fell by the wayside within hours. Nick Lowe was in it for about 5 hours I think, he was expelled for going to bed.

When I was in top 40 bands, I always had to learn new material and new styles.

Unfortunately, a lot of executives aren't like producers, and can't hear the diamond in the rough.

There's artists that I'm working with on a new label of mine. Foxy Nova and Supa Nova.