Director Quotes

It's... a hard thing for a director, to think you came up with a shot, something from your mind, and someone died while doing it. It's the worst thing you'll ever have to live with. It was very hard for me to get back on the horse again.

It is really cool to have created a movie that has turned out to become the biggest movie of the year.

I'm one of the few directors that actually shoots a lot in camera.

I'm done with effects movies for now. When you do a movie like 'Transformers,' it can feel like you're doing three movies at once - which is tiring.

I'm at that point in my life where I definitely want to get married soon. I've got my dogs as surrogates, but I'm ready for kids.

I make movies that audiences like, that I'd want to see. That's all.

I make movies for teenage boys. Oh dear, what a crime.

I love doing big movies. It's awesome! You have all these toys. The thing I like about this movie is, like they always say, directors have the biggest train sets! Don't tell anyone, but I'd do this for free.

I look at directing as a sporting event. It's a race, a marathon. It's great when it clicks, which is why I push my crews so hard so we can excel.

I go out there to win. People don't care if you die in this business. The only way I get back is with success.

I allow a lot of room for improvisation and funny stuff. I always feel planned.

For me, the great joy is to watch an audience watching what I've made. To hear not a peep from the audience at the right moment, and then to hear the laughs and the cheers.

Fast cars are my only vice.

Everybody knows about Pearl Harbor. The thing that really fascinated me is that through this tragedy there was this amazing American heroism.

Do you know what directors go through? It's just hell. Like, why do I work so hard - to think I'm only going to see this movie five times and then never see it again 'cause I'm so sick of it? What is it worth, honestly?

Directing is not a job. It's more like a career. Which is great!

And a lot of the artists and people that we hired were fans of Transformers growing up, so having so many fans working on my crew really kept me on point.

What I look for in a script is something that challenges me, something that breaks new ground, something that allows me to flex my director muscle. You have got to think fast in this business, you've got to keep reinventing yourself to stay on top.

I can be very reserved about things. My business side isn't shy. I can be like a general. But I've got a shy side. I'm also a lot deeper than people think, and a lot more sensitive. But I don't let people in too much.'

It's great that I get accused of not being politically correct. People need to take themselves less seriously. This world is so screwed up as it is, we've all got to relax a bit more.

A lot of directors don't want the pressure of a movie the size of Pearl Harbor. But I love it. I thrive on it.

Sweetheart, I'm the biggest ripped-off cartoonist in the history of the world, and that's all I'm going to say.

Painting pictures didn't make me a lot of money. I have to eat.

One of the best animated films I've seen come out of Disney was the Tarzan movie. I wasn't crazy about the story or the design on Tarzan's face, but the traditional animation was spectacular.

My movies continue to be found and be sold because there's something going on in them.

My good films were independent and my bad films were not.

Most of the animated films I watched, the emotions are all prepackaged like canned music, the hand actions, the sighs.

Lord of the Rings made me realize that I'm not interested in doing anyone else's work.

Look what Disney's done to their animation department. There wasn't an animator in charge of their animation unit!

I'm the first to admit that I can't be as good as Tolkien, and a movie can never be as good as Tolkien.