American Quotes

What I'm dealing with is sound. I don't pretend to be dealing with music. I'm just dealing with sound elements, textures and sounds.

The atmosphere defines the environment of sound.

Sound comes out of a life experience.

Records are just moments of achievement. They're like receipts for work done. Time goes on and people keep playing music.

People who play conventional music are threatened by electronica and don't consider it to be as valuable as what they do.

Nothing was a style first. Everything started as an idea. A guy did something with an idea. Someone copied him. Some copied all of them and it became trendy and then it became a style.

Miles Davis fully embraced possibilities and delved into it. He was criticized heavily from the jazz side. He was supposed to be part of a tradition, but he didn't consider himself part of a tradition.

In all the music that deals with experimental repetition, drum and bass, dub, various kinds of house music, there's always been a quality of atmosphere and ambience.

If you listen to really deep ambient records that don't move too much, very still records, long after those records are finished, you might find yourself listening for hours to the sound of the room.

Computers and electronic music are not the opposite of the warm human music. It's exactly the same.

People are afraid of things they don't understand. They don't know how to relate. It threatens their security, their existence, their career, image.

You cannot base a whole movie on just the imagery alone. It has to be the story and the characters.

We make the kind of movies we like to watch. I love to laugh. I love to be amazed by how beautiful it is. But I also love to be moved to tears. There's lots of heart in our films.

Walt Disney had always tried to get more dimension in his animation and when I saw these tapes, I thought, This is it! This is what Walt was waiting for! But when I looked around, nobody at the studio at the time was even halfway interested in it.

There is such amazing talent at Disney. My job is 100% creative, and I am very excited to creatively lead them.

Sure, they were simple desk lamps with only a minimal amount of movement, but you could immediately tell that Luxo Jr. was a baby, and that the big one was his mother. In that short little film, computer animation went from a novelty to a serious tool for filmmaking.

Soon I learned that the worse the puns and jokes, the funnier they could be, if you knew how to deliver them.

Never in the history of cinema has a medium entertained an audience. It's what you do with the medium.

In dire economic times, movies are relatively inexpensive entertainment for the whole family.

I've got Disney blood running through my veins.

I realized that people make cartoons for a living. It had never dawned on me that you could do this as a career.

I quickly realized that this medium had a lot to offer someone like me. To do Disney-quality hand-drawn cartoons, you have to be a master of two art forms. Seriously, you have to be able to draw like a Leonardo da Vinci or a Michelangelo. But also you have to know movement and timing and control tha

I do what I do because of Walt Disney - his films and his theme park and his characters and his joy in entertaining.

I believe in the nobility of entertaining people and I take great, great pride that people are willing to give me two or three hours of their busy lives.

I believe in research you cannot do enough research; believability comes out of what's real.

Animation is the only thing I ever wanted to do in my whole life. I have no desire for live-action or anything else.

Animation is the one type of movie that really does play for the entire audience. Our challenge is to make stories that connect for kids and adults.

If you're sitting in your minivan, playing your computer animated films for your children in the back seat, is it the animation that's entertaining you as you drive and listen? No, it's the storytelling. That's why we put so much importance on story. No amount of great animation will save a bad stor

I love movies that make me cry, because they're tapping into a real emotion in me, and I always think afterwards: how did they do that?

Every single Pixar film, at one time or another, has been the worst movie ever put on film. But we know. We trust our process. We don't get scared and say, 'Oh, no, this film isn't working.'