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Projecting a persuasive image of a desirable and practical future is extremely important to high morale, to dynamism, to consensus, and in general to help the wheels of society turn smoothly.
Magneto has a whole lot of complexity to him. Emotionally, he's coming from a very damaged place. I like the ambivalence of it. I want the audience leaving the theater wondering, asking the questions themselves rather than being spoon-fed like a lot of these super-villain characters.
| Janet Baker, Musician (1933) |
| Count Basie, Musician (1904) |
| Steve Case, Businessman (1958) |
| Kim Cattrall, Actress (1956) |
| Jackie DeShannon, Musician (1944) |
| Loretta Devine, Actress (1949) |
| Jacqueline Emerson, Actress (1994) |
| James P. Cannon, Activist (1974) |
| Charles Eames, Designer (1978) |
| Georgia Harkness, Theologian (1974) |
| George Jackson, Activist (1971) |


