One of the things I have tried to do with this book and with all of them really is avoid that simple, easy, reductionist view of motivation and to show we do things for a complex net of reasons, a real braid of reasons.
I'm not interested in making a $60-million studio film with a bunch of 24-year-olds telling me what to do.
I like singing as much as I like acting, and all through high school I thought I might be a Broadway singer.

