Producer Quotes

The entire exhibitions industry in the United States of America has filed for bankruptcy.

Since we made Shrek in the digital format, you actually can see it in its purest form digitally.

Shrek is not like anything anybody has ever seen before.

It was the business that made Pop go away, not our inability to create.

Inspiration comes from all different places.

I love to look at The Graduate, or Lawrence of Arabia, or things I had nothing to do with. But you could not get me to go back and watch movies that it was a privilege just to be around them when they were being made.

I know what we do really well - I just try and keep us focused on doing that.

I haven't got a lot of patience.

I have a very difficult time getting the Napster world.

A company like DreamWorks, all we do is make product. That's all we do. We don't own distribution. We are purely in the creation of content.

Every single thing you see on-screen came out of somebody's creativity. It doesn't exist. Nature didn't deliver it to us. Everything had to be dreamed.

You're not too smart, are you? I like that in a man.

You know, Stephen says, in the movies no one ever goes to the bathroom. They shave, they brush their teeth. He goes right at this sort of funny taboo we have about the bathroom, and he turned it into this nightmare, you know, your worst fear of what's in there.

With Westerns you have the landscape is important, and it's empty, and only you populate it. When you populate it, you can tell any kind story that Shakespeare told, you can tell in a Western.

What you hope for, like Unforgiven did a lot to give you a chance to do it again sometime.

The movies that made me want to make movies were action movies, and thrillers, and Kurosawa films, you know, where you have an opportunity every day to shoot it in an unusual way. I was looking for something like that.

The kind of pace that you want to use in a Western - just to acknowledge the land in the distance that everyone has to travel, and the way things develop sort of slowly - it's almost the antithetical of what's currently going on in the movies, you know.

The great thing about Stephen is that he sees the movie as a separate thing, I think. He wants it to capture the essence of the book, and if he feels that's been done, then he's not too particular about the details. I think that's why he's happy.

That was certainly true the first time, when I did Body Heat, the first movie that I directed. I was looking for a vessel to tell a certain kind of story, and I was a huge fan of Film Noir, and what I liked about it was that it was so extreme in style.

It's hard enough to get any movie made, and when you take on these tough genres - and I've done it a couple times - it just makes the whole struggle more.

I want everything I do to have humor in it, because it seems to me that all of life has that.

I tell you, I feel like a real novice as far as horror goes.

I really liked Carrie a lot. That was one of Brian De Palma's best movies.

I mean, the trouble with some of the kind of relationship movies I've done, is there's only so many ways you can shoot a conversation. I was really tired of talking heads.

I mean, I really liked those guys and the experience of doing Raiders was really good for me, but I did not really want to be involved - I only did Jedi, as I really owed George a favor.

I loved Alien, and I loved Carrie, and I loved The Exorcist - those were big movies for me. They were just brilliantly done, and unusual, and they all took horror to some new place.

I haven't seen Clones, which has been during this period when I haven't seen much of anything, but I did see Phantom Menace, and see my feelings about it - see, first of all, I think that when you make a lot of movies, your attitude about the movies changes.

I didn't really want to do another sequel. I go to those movies, and I just sort of enjoy them like a viewer.

But, I think that the reason I responded to this book, sort of paradoxically, is that it starts out like The Big Chill, sort of. Four friends, who are not quite happy with their life, and every year they get together for a week and look for some comfort from each other.

But, George and Steven asked me to write the Indiana Jones sequels, and I didn't want to.