I mean, artistic processes are all about making choices all the time, and the very act of making a choice is the distilling down and the getting to the core of what it is that you care about and what you want to say, really.
One of the issues I kept saying to my students is you have to learn to interrupt. When you raise your hand at a meeting, by the time they get to you, the point is not germane. So the bottom line is active listening. If you are going to interrupt, you look for opportunities. You have to know what you
| Madeleine Albright, Statesman (1937) |
| Clive Barnes, Journalist (1927) |
| Alphonse Daudet, Novelist (1840) |
| Jim Jones, Criminal (1931) |
| John Kasich, Politician (1952) |
| Harvey Keitel, Actor (1939) |
| Sholom Aleichem, Writer (1916) |
| Chet Baker, Musician (1988) |
| Eddie Barclay, Musician (2005) |
| Laurie Lee, Poet (1997) |

