American Quotes

You know, I'm not sure I ever even had a blind date!

With all of my films if I get one bad review and a bunch of good reviews the bad one is the only one that will stay with me, which really sucks!

We've had no problems with the actors, but we keep a really loose set.

We really love all sports, but we don't think in the long term. The reason we did Kingpin was because there was a script we really liked and we saw the possibilities.

Usually, you can shoot a movie in 10 or 12 weeks.

There are a lot of laughs in this movie, but it's not just about the laughs. It's really about the story, about a guy who finds his soul and realizes what's truly important.

Our feeling is that the most important thing on a set is that actors have enough confidence to try different things. If there's stress or tension, they won't go out on a limb because they won't want to embarrass themselves if they don't feel completely comfortable.

Nine out of 10 times these guys will hit it-they'll be on something incredibly funny, but one out of 10, two out of 10, they'll fall flat on their faces. That's what makes them great actors: they take those chances, they don't play it safe.

'Movie 43' is about the hardest R Rated comedy ever.

If I was not allowed to mention that I was in the film industry, I could go six months without getting a kiss.

I know this is silly, it's shallow, it's bad, I wish I wasn't this way-but if I meet a girl with no teeth, I just don't want to date her. It's creepy of me, I wish I was a bigger person, but that's my real turn-off.

I know guys. I know the way they think.

I do know this: When somebody has to look great on the screen, that's the death of funny.

I always take kind of a zen view of casting and I really don't remember people who passed. I kind of turn it over to the universe and figure, 'Wow, I guess that wasn't meant to be.' It doesn't sit with me.

I always loved Kate Winslet, but after you meet her you really love her because she's a cool chick.

Everything's a lot easier when you work with someone you know just about as well as you know yourself.

Anybody who is a fan of any team is going to recognize themselves in this.

If you work with Jim Carrey, you're working with the best.

You know, I can't remember the last movie I walked out of. If I pay, I'll see it through. I can't be halfway through a movie and think that I know everything that's going to happen, because I hope that I'm wrong.

Well, there are conjoined twins in real life and we can tell a story about them so long as they're not the brunt of the jokes. In this, they're the heroes of this story; we love these guys.

We wanted to do a sequel with Jim and Jeff. They said that the word was that Jim didn't want to do any sequels. We approached him and he said he would do it, but not until next year. New Line said it was too long to wait.

We want the best actor, and that's why Matt Damon worked so well in this role, because he's a great actor.

We love the Stooges, and young kids today don't watch them. They think it's their dad's comedy. So we thought we could reintroduce them to a new audience.

We feel that what's too far is when you make a joke and somebody gets hurt.

The only thing we don't do together is get in front of an actor and show any indecision at all about what we think. We don't always agree, so we meet privately, then one or the other will approach the actor.

It's a big part of what we do - we test our movies extensively. I'm always there myself. It's sometimes difficult to sit through, especially if it's a version of the movie that's not working particularly well.

In comedy, though, it's good to get feedback from the audience about what they find funny.

I think we both have some darkness in us. But when we are together, we tend to concentrate more on the light.

I think the last one would have to be The Godfather because it was such a powerful story. There was lots of violence in it but I could take it because I thought there was a reality to it. It wasn't gratuitous, it was just these guys' story.

I think that's the key to being a director: to be able to get the shot and move on quickly.