Actor Quotes

I got a phone call from Douglas Campbell and from Jerome Guthrie, who offered me a job out of the blue.

Every actor wants to have a character that changes, that has some kind of movement, that gets from point A to point B, that doesn't just supply one note.

Certainly Amadeus because it was a very powerful time for me, we filmed it in the Czech Republic at a time of lots of social and political change going on in that part of the world.

But it's true, it's nothing new that decisions about what movies are to be made, and how they're to be made, and who's to be hired to do what, and whether you hire somebody to do their job, or whether you hire somebody to fill a position and you tell them what to do.

And from my character's point-of-view in Ravenous, he had been collected by Robert Carlyle's character, he had become infected by this ravenous, cannibalistic power, and he was making the best of it.

A lot of the reasons why something is a favorite thing are all things you don't necessarily see, the place, the people, the time, where you are, what it meant to you at the time.

I was preparing myself for the theater, and... I got a little job here and a job there, but it wasn't going well, and I considered some time before the mid-60s that maybe I should consider something else.

I was as content Off-Broadway as I was in a big Hollywood movie, and, I just try to be content wherever I am, you know.

I think the extent to which I have any balance at all, any mental balance, is because of being a farm kid and being raised in those isolated rural areas.

I really think I ambled through a lot of my life, or ambled from one thing to the other.

I mean, my people were very, very simple. They were peasant people, you know?

I knew real show business from my father, who had been an actor since he left the world of boxing.

I happened to happened to land in a time, in the middle '60s, that without knowing it, and without being told by the history of theater - which we now see from a historical point of view was an explosive time.

I got out of the Army - in my world - I came to New York, for instance, when the civil rights movement was just beginning, and that created a certain energy, a certain rumble, a certain impetus for black actors.

Even during the rationing period, during World War II, we didn't have the anxiety that we'd starve, because we grew our own potatoes, you know? And our own hogs, and our own cows and stuff, you know.

Before my grandpa built his own church, we went to the neighboring town, and it was a white community. You know, up north, mostly middle European people and Indians, Chippewa Indians. We were welcome to that church, but once we got in, they didn't know what to do with us.

And nothing embittered me, which is important, because I think ethnic people and women in this society can end up being embittered because of the lack of affirmative action, you know.

And it was the idea that you can do a play - like a Shakespeare play, or any well-written play, Arthur Miller, whatever - and say things you could never imagine saying, never imagine thinking in your own life.

And I think, on the other end, there were actors who were not as good as I was, perhaps who could have hung in too, but began to blame everything on race.

Acting is not about anything romantic, not even fantasy, although you do create fantasy.

So by the time I got to Michigan I was a stutterer. I couldn't talk. So my first year of school was my first mute year and then those mute years continued until I got to high school.

Once you begin to explain or excuse all events on racial grounds, you begin to indulge in the perilous mythology of race.

My grandmother though, began to prepare in her own neurotic - and I think psychotic - way to face racism. So she taught us to be racist, which is something I had to undo later when I got to Michigan, you know.

I was an adopted child of my grandparents, and I don't know how I can ever express my gratitude for that, because my parents would have been a mess, you know.

I don't ever want to be a sentimentalist. I prefer to be a realist. I'm not a romantic really.

It has to be real, and I think a lot of the problems we have as a society is because we don't acknowledge that family is important, and it has to be people who are present, you know, and mothers and fathers, both are not present enough with children.

My grandmother had the most dramatic effect on my life because she set me in one direction, and I had to go back the other direction for my sanity, and for my ability to be a social human being.

More and more, when I single out the person out who inspired me most, I go back to my grandfather.

One of the hardest things in life is having words in your heart that you can't utter.

No one asked me to be an actor, so no one owed me. There was no entitlement.