German Quotes

The iPod completely changed the way people approach music.

I'm not a marketing person. I don't ask myself questions. I go by instinct.

Beauty is also submitted to the taste of time, so a beautiful woman from the Belle Epoch is not exactly the perfect beauty of today, so beauty is something that changes with time.

I like today and perhaps a little future still, but the past is really something I'm not interested in. So, as far as I'm concerned, I like only the past of things and people I don't know. When I know, I don't care because I knew how it was.

When I was a child I asked my mother what homosexuality was about and she said - and this was 100 years ago in Germany and she was very open-minded - 'It's like hair color. It's nothing. Some people are blond and some people have dark hair. It's not a subject.' This was a very healthy attitude.

Yes, some people say to me you're too skinny, but never a skinny person says that to me, only people who could lose a few pounds say that.

When, at the end of the 1960s, I became interested in the Nazi era, it was a taboo subject in Germany. No one spoke about it anymore, no more in my house than anywhere else.

When I see a new artist I give myself a lot of time to reflect and decide whether it's art or not.

What does the artist do? He draws connections. He ties the invisible threads between things. He dives into history, be it the history of mankind, the geological history of the Earth or the beginning and end of the manifest cosmos.

The reason for this project comes from my childhood, that is clear to me. I did not have any toys. So, I played in the bricks of ruined buildings around me and with which I built houses.

Ruins, for me, are the beginning. With the debris, you can construct new ideas. They are symbols of a beginning.

Not content, but the road the artist takes, is the interesting part.

Life is an illusion. I am held together in the nothingness by art.

If I do something that depresses, it's not because I'm depressed, but because political life and history is depressing.

I was interested in transcendence from a very early age. I was interested in what was over there, what was behind life. So when I had my first communion I was very disappointed. I had expected something amazing and surprising and spiritual. Instead all I got was a bicycle. That wasn't what I was aft

I might have been born into a very literal sense of chaos, but in fact that state is true of all of us.

I grew up in a forest. It's like a room. It's protected. Like a cathedral... it is a place between heaven and earth.

I believe in empty spaces; they're the most wonderful thing.

I believe art has to take responsibility but it should not give up being art.

I am against the idea of the end, that everything culminates in paradise or judgment.

History speaks to artists. It changes the artist's thinking and is constantly reshaping it into different and unexpected images.

History is formed by the people, those who have power and those without power. Each one of us makes history.

Buying art is not understanding art.

But we should also not forget the difference between what first motivated me and the work that is the result.

Because of my Calvinistic upbringing, I was trained to think that what you do has to have a purpose.

Art really is something very difficult. It is difficult to make, and it is sometimes difficult for the viewer to understand. It is difficult to work out what is art and what is not art.

Art is longing. You never arrive, but you keep going in the hope that you will.

Art is difficult. It's not entertainment.

But I believe above all that I wanted to build the palace of my memory, because my memory is my only homeland.

The squares of the periodic times are to each other as the cubes of the mean distances.