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When you find something where you can give people a message and still make it an exciting movie, you get very, very excited about something. You probably even work harder than you normally do.
I think film writing, you're thinking in pictures, and stage writing, you're thinking in dialogue. In film writing, it's also, you only get so many words, so everything has to earn its place in a really economical way. I think for stage writing, you have more leeway.
| Paul Cellucci, Politician (1948) |
| Richard M. Daley, Politician (1942) |
| Jean Paul Gaultier, Designer (1952) |
| Jim Geringer, Politician (1944) |
| Jill Ireland, Actress (1936) |
| Jack Kingston, Politician (1955) |
| Bud Abbott, Actor (1974) |
| Felix Adler, Educator (1933) |
| Harry Banks, Soldier (1915) |
| Alejo Carpentier, Novelist (1980) |
| Willa Cather, Author (1947) |
| James Thomas Fields, Publisher (1881) |
| G. Stanley Hall, Psychologist (1924) |
| Granville Stanley Hall, Psychologist (1924) |
| Barbara Grizzuti Harrison, Writer (2002) |
| Louis A. Johnson, Public Servant (1966) |


