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When you have to play a character that seems to be a relatively decent person and seems to be like yourself, I think the trick in that kind of character, so that you don't become a cliche, is to find where their weaknesses are.
A lot of these angles are really about trying to mimic broadcast sports angles in order to anchor the scene, to sort of normalize it before it becomes abstracted.
| M. H. Abrams, Critic (1912) |
| Marston Bates, Scientist (1906) |
| Charisma Carpenter, Actress (1970) |
| Omar Epps, Actor (1973) |
| Michael Foot, Politician (1913) |
| Nomar Garciaparra, Athlete (1973) |
| Woody Harrelson, Actor (1961) |
| Don Imus, Celebrity (1940) |
| Anthony Kennedy, Judge (1936) |
| Steve Lacy, Musician (1934) |
| Robert J. Flaherty, Director (1951) |
| King Hassan II, Royalty (1999) |


