German Quotes

According to my principles, every master has his true and certain value. Praise and criticism cannot change any of that. Only the work itself praises and criticizes the master, and therefore I leave to everyone his own value.

On the little money I had collected I lived in Berlin very cheaply, ate very cheaply. And already in 1920 I saved the first salaries I received to go to Munich.

My father's parents were carpenters. They were also builders partly. They were painters. And several of them were very, active in the theatre and all such nonsense, you know.

It was my family that wanted me to be a teacher. That was safe, you see. To be a painter was terrible.

Instead of art I have taught philosophy. Though technique for me is a big word, I never have taught how to paint. All my doing was to make people to see.

In Italy the artist is a god. Now if the artist is a god, the scientist is likewise a god.

I went to the Academy and studied with Stuck who was then a big man. But didn't interest me. I didn't know that before me there was Kandinsky and Klee who had also studied with Stuck. He had a good name at that time.

I was for years in the yellow period, you know.

I was at the Royal Art School. That was a preparatory school specially for art teachers. You see, it was not so much for the development of artists. But we had there terribly stiff training.

I think Kandinsky and I were very near friends.

I love very much to draw animals.

I have taught my students not to apply rules or mechanical ways of seeing.

I have invented the Thermometer style.

I count all the time on resonance. I call on this, you see.

As basic rules of a language must be practiced continually, and therefore are never fixed, so exercises toward distinct color effects never are done or over. New and different cases will be discovered time and again.

Any ground subtracts its own hue from the colors which it carries and therefore influences.

Ah, the creative process is the same secret in science as it is in art. They are all the same absolutely.

It is not so for art in appreciation because art is concerned with human behavior. And science is concerned with the behavior of metal or energy. It depends on what the fashion is. Now today it's energy. It's the same soul behind it. The same soul, you see.

In visual perception a color is almost never seen as it really is - as it physically is. This fact makes color the most relative medium in art.

If you don't do it my way, I suggest you commit suicide.

I've handled colour as a man should behave. You may conclude that I consider ethics and aesthetics as one.

I'm not a talker. I'm a formulator.

I prefer to see with closed eyes.

Apprentice is the beginner - the first years you work in a craft in the European sense you are an apprentice. That takes 3 or 4 years. Then you are a journeyman. You can go from one master to another and learn other tricks and other secrets.

And I started with this: I have not painted at all my childhood. In fact, I never painted. But I helped my father who was a house painter and decorative painter. He made stage sets, he made glass paintings, he made everything.

Abstraction is real, probably more real than nature.

Tact is the discrimination of differences. It consists in conscious deviations.

Art is magic delivered from the lie of being truth.

The good man is he who rules himself as he does his own property: his autonomous being is modelled on material power.

He who integrates is lost.