There's something about being in a house with an audience, and having that immediate feedback. I started acting because of that energy; it's what feeds me on stage and informs my choices.
You will find hardly any improvising on camera anywhere in my films. It's very structured, but it's all worked out from elaborate improvisations over a long period, as you know.
| Khandi Alexander, Dancer (1957) |
| Phoebe Cary, Poet (1824) |
| Max Delbruck, Scientist (1906) |
| Bob Filner, Politician (1942) |
| Ray Floyd, Athlete (1942) |
| Raymond Floyd, Athlete (1942) |
| Ken Harrelson, Athlete (1941) |
| Paul Harvey, Journalist (1918) |
| Ivan Illich, Sociologist (1926) |
| Bernard Kerik, Public Servant (1955) |
| Creighton Abrams, Soldier (1974) |
| Marcel Achard, Playwright (1974) |
| Edward Eggleston, Editor (1902) |
| Hans Eysenck, Psychologist (1997) |
| Steve Irwin, Scientist (2006) |
| Walter Kaufmann, Philosopher (1980) |


