Suspicion is far more to be wrong than right; more often unjust than just. It is no friend to virtue, and always an enemy to happiness.
I think film writing, you're thinking in pictures, and stage writing, you're thinking in dialogue. In film writing, it's also, you only get so many words, so everything has to earn its place in a really economical way. I think for stage writing, you have more leeway.
| Jean-Louis Barrault, Actor (1910) |
| Mario Batali, Celebrity (1960) |
| Angela Cartwright, Actress (1952) |
| Leon Edel, Critic (1907) |
| Alice Thomas Ellis, Writer (1932) |
| Alphonso Jackson, Public Servant (1945) |
| Zoe Kazan, Actress (1983) |
| Michael Keaton, Actor (1951) |
| Alf Landon, Politician (1887) |
| Sol LeWitt, Artist (1928) |
| Nicola Abbagnano, Philosopher (1990) |
| Edward H. Harriman, Businessman (1909) |
| Jacques Lacan, Psychologist (1981) |

