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In every work of art the subject is primordial, whether the artist knows it or not. The measure of the formal qualities is only a sign of the measure of the artist's obsession with his subject; the form is always in proportion to the obsession.
| Stanley Baldwin, Statesman (1867) |
| Michael Ealy, Actor (1973) |
| Charles Edison, Businessman (1890) |
| Hamilton Fish, Politician (1808) |
| P. D. James, Novelist (1920) |
| Mathieu Kassovitz, Director (1967) |
| John Landis, Actor (1950) |
| Lord Amherst, Soldier (1797) |
| Henri Cartier-Bresson, Photographer (2004) |


