Whenever you play dance music, it serves a function. It becomes a utility; you have to worry about the tempos and what you're going to play for people. But when you're playing for listening, you're free.
It's funny because I think it also goes very well with the show. It has this reputation as being this love city where everyone goes to get married, but when you get there, it's very corny and tacky.
| Mortimer Adler, Philosopher (1902) |
| Spencer Bachus, Politician (1947) |
| Guy Debord, Writer (1931) |
| Arthur Eddington, Scientist (1882) |
| Max Hastings, Journalist (1945) |
| Roy Hattersley, Statesman (1932) |
| Tim Johnson, Politician (1946) |
| Nigel Kennedy, Musician (1956) |
| Stan Lee, Writer (1922) |
| John Legend, Musician (1978) |
| Hervey Allen, Author (1949) |
| Pierre Bayle, Philosopher (1706) |
| Clarence Day, Author (1935) |
| George Gissing, Novelist (1903) |


