Sometimes films ignore other points of view because it's simpler to tell the story that way, but the more genuine and sympathetic you are to different points of view and situations, the more real the story is.
Now why should the cinema follow the forms of theater and painting rather than the methodology of language, which allows wholly new concepts of ideas to arise from the combination of two concrete denotations of two concrete objects?
| Kenneth Baker, Politician (1934) |
| Roseanne Barr, Actress (1952) |
| John Barry, Composer (1933) |
| Kate Capshaw, Actress (1952) |
| Walker Evans, Photographer (1903) |
| Brenda Fassie, Musician (1964) |
| Bob Feller, Athlete (1918) |
| Hans Janmaat, Politician (1934) |
| Franklin Jones, Celebrity (1939) |
| Phil Katz, Scientist (1962) |
| Jonathan Harris, Actor (2002) |
| Bob Kane, Artist (1998) |


