I found that I could write two kinds of short stories: I could write very absurd, kind of surrealistic, funny stories; or I could write very dark, realistic - hyper-realistic - stories. I was never happy with that, because I couldn't meld the two.
You know, face painting in non-Western cultures is a sign of collectivism, is a sign of one representing the community, it's not unique at all.
| Stanley Baldwin, Statesman (1867) |
| Michael Ealy, Actor (1973) |
| Charles Edison, Businessman (1890) |
| Hamilton Fish, Politician (1808) |
| P. D. James, Novelist (1920) |
| Mathieu Kassovitz, Director (1967) |
| John Landis, Actor (1950) |
| Lord Amherst, Soldier (1797) |
| Henri Cartier-Bresson, Photographer (2004) |


