“For example, in painting the form arises from abstract elements of line and color, while in cinema the material concreteness of the image within the frame presents - as an element - the greatest difficulty in manipulation.”

“When I'm watching somebody act, it's a behavior editorial function - I look at someone act, and I might say, 'I don't believe him when he says that.' I don't know why I don't believe him, probably because the people that I've met, they don't act like that when they say stuff like that and mean it.”