The puppet characters were combinations of people I had known and to some degree aspects of my own personality. Weird was based on someone I knew in Chicago. Dirty Dragon was based on a good friend I had in Indianapolis.
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The same issue is happening on a show like Everybody Loves Raymond now, which is in its eighth year and struggling to come up with good stories. It'll be interesting to see how they do. The bottom line is, it starts with the writers and ends with the writers.

