Chet loved artists. He did. But he was caught up in the system. He had two hats. He had to have 'em because he did two things: he was an artist, and he was an executive.
“There's that thing about the '80s, the '40s and the '60s, and the '30s, the '50s and the '70s. Something about those odd decades in this century that weren't too pleasant.”