The course hitherto pursued in musical aesthetics has nearly always been hampered by the false assumption that the object was not so much to inquire into what is beautiful in music as to describe the feelings which music awakens.
Back then, as a kid, you made a choice of who you liked, and it was either us or 'Take That.' And if you liked 'East 17', it showed you knew what was going on, you were clued up, had better taste in music.

