I'd say I'm quite powerful so I'm not afraid of jumps or acrobatic elements. The hardest part is... get on the beam and stay there on top of it!
Every company, every boardroom in which I sit, has a plan, and they have objectives, goals, and a process. And to make it work, the pressure and incentive have to come from the top.
There is a lot of use of ProTools in professional studios, but this is mostly for the special effects it allows, not for sound quality. These special effects soon fall out of fashion, and I don't think this trend will define studios permanently.

