When my opera Plump Jack was performed in 1989, my first piano teacher sent me something that I'd composed when I was four. I remember I played it, and it still sounded like me. I'm the same composer I was then.
I guess when you have that one monster season, it's good because you're recognized. If it weren't for that season, not as many people would know about my career. But it also kind of diminishes what I did in other years.