I've learned that in the theater the story is everything. Every lyric, every line and every musical gesture has to propel the journey of a given character or the overall plot.
For the last three years, I've been working on 'Bromst,' and that's all that encompassed my brain. And now that it's out, it will change the way that I think musically.
When Harvard men say they have graduated from Radcliffe, then we've made it.

