I spend a lot of time in a sort of free state when I'm writing in the beginning and sketching.
Fake tan is really difficult to get right. When I was younger, I'd always do it wrong. I'd leave it on and forget to wash it off. So I embrace being pale. I like getting a tan, but I also think that if you're going to do it, it has to be gradual. I just work the pale thing now.
I think I understand something about space. I think the job of a sculptor is spatial as much as it is to do with form.

