Nobody paid any attention career-wise to me in America until 'Bronson.' It gave me a calling card and passage into America, where I've always wanted to work.
Putting out the things that I like best hasn't been the easiest way to run a label, and it still isn't because it requires finding an audience for each record.
Country artists, I met a lot of them when I was five, six years old. I had an uncle who was a country and western singer and I met Lefty Frizzell when I was five or six years old in those shows that would come through Toronto from Nashville.