Nobody paid any attention career-wise to me in America until 'Bronson.' It gave me a calling card and passage into America, where I've always wanted to work.
That business of relaxation, which is so terribly modern today, is all good and well, but my work interests me so much, and is so varied, that many times it seems relaxing when I go from one aspect to another.
I have always tried to work according to what affects me, to a script that I like because it touches me in some way, without deliberately pursuing a commercial career or a particular image.

