Nobody paid any attention career-wise to me in America until 'Bronson.' It gave me a calling card and passage into America, where I've always wanted to work.
I'm less comfortable making American movies because I don't know them so well.
I had a financial page to write in the Mail on Sunday where I'd give tips on shares. I worked there for two and a half years. Nothing compares to the burst of energy felt on a newsroom floor when a big story breaks.