Certainly for my father, there were great times, good times, not-so-good times. He might be shooting a Fellini film for six months, then not working for two months. I'm used to that dynamic.
Being in the studio is like painting, you know, you can really take your time, and try different things, and kind of go deep into it.
The winds that blow our billions away return burdened with themes of scorn and dispraise.