I was always the kid who could draw. I had this talent, and it was the one thing that gave me some kind of dignity in the midst of my personal environment.
I know pretty well in the broad sense what I'm going to do, because I have to know that when we shoot the live-action, so that it'll synchronize. Then I know pretty well when I get to the animation stage, what that scene requires.
Here is how I work: when I think that a film needs to have a principal theme, I search for a melody.

