In the end, it is because the media are driven by the power and wealth of private individuals that they turn private lives into public spectacles. If every private life is now potentially public property, it is because private property has undermined public responsibility.
“In the past 10 years, I've looked at life as this Pollock stuff. And now I'm almost in the post Pollock phase.”
“I can say, hands down, 'Annapolis' is the most challenging film I've ever taken on.”