There is the danger of over preparation, of loss of spontaneity; over rehearsal is the most terrible thing you can imagine. We do have a very close association between costume and set designer, though. And the cameraman is very important, of course.
There's always going to be comparisons, and that's unavoidable. There are people out there who feel I hit my peak with Magician and have gone downhill since.
I can't comprehend that I'm in the film of 'Les Miserables.' It's one of those dreams I thought would be unattainable for someone like me, who came from nowhere.

