When you do a show five days a week and one night a week, the way I was doing, you use up so much music every day that pretty soon you find yourself hustling for material.
Performers are so vulnerable. They're frightened of humiliation, sure their work will be crap. I try to make an environment where it's warm, where it's OK to fail - a kind of home, I suppose.
I suppose it's amazing when you think how many things people get involved in that don't work.

