What I think happens today is that a lot of filmmakers look at other films that are retro pieces, like L.A. Confidential, and say, oh, that's period. We didn't want to do the stereotypical stuff.
I felt that justice had been served and that the world was, in some way, a better place for all of us.
Wynton and Christopher were really great experiences for me because they are both very gifted artists.

