What I think happens today is that a lot of filmmakers look at other films that are retro pieces, like L.A. Confidential, and say, oh, that's period. We didn't want to do the stereotypical stuff.
Sometimes I read a script and it's obvious from early on that it's one where the suspension of disbelief has to develop strongly from page one. Some are more reality-based.
All governments in all wars have used all the means at their disposal to put their own motives, decisions and actions, and the actions of their military forces, in the best possible light.

