It's one of the tragic ironies of the theatre that only one man in it can count on steady work - the night watchman.
“I think I grew up, stopped worrying about what people thought of me, and whether things were going to turn out OK. I'm concentrating on doing the best work I can do and letting it go at that.”
“In the mid-'60s in Berkeley, the theory of measure spaces of economic agents became one of my main interests.”