Music is thousands and thousands of years old and I don't think that basic, primitive connection to the language of music ever changes.
Magneto has a whole lot of complexity to him. Emotionally, he's coming from a very damaged place. I like the ambivalence of it. I want the audience leaving the theater wondering, asking the questions themselves rather than being spoon-fed like a lot of these super-villain characters.
People ask me if my shoes were too small when I was a kid and I say it wouldn't matter how fight my shoes were, I just liked that feeling of them being in there. That's how I started tapping my toes.