Those 25 dancers we worked with for a day, in as highly productive a way as possible - a long class, a period of teaching bits of the repertory - in fact I didn't teach Bank, I've used parts of Oil and Water.
“I've been playing the bad guy in the last seven or eight projects I've done. I like it. It's a lot more interesting! Being the good guy gets a little stale after a while, you know?”