For example, in painting the form arises from abstract elements of line and color, while in cinema the material concreteness of the image within the frame presents - as an element - the greatest difficulty in manipulation.
“It will make a weak man mighty. it will make a mighty man fall. It will fill your heart and hands or leave you with nothing at all. It's the eyes for the blind and legs for the lame. It is the love for hate and pride for shame. That's the power of the gospel.”
“Most consequential choices involve shades of gray, and some fog is often useful in getting things done.”