I just don't want to end up on something that bores the hell out of me. Otherwise, I'll fake a knee injury and get out of there.
If I did things for the money, I'd have done adverts in the 1980s, when I was hot enough to be offered them, and 'Police Academy 6,' which I was asked to write.
As I was coming up on the stage, there was one source that could make or break you, the New York Times. Inevitably there would be one actor singled out for a better review, or worse, than somebody else. The effect of that was cancerous, divisive.

