“In the past I've been very into the falling part, very into the swimming in the dark, deep emotional water. 'Rampart' I really went into it and it took me three times as long to get out of that depression as it did to just do the scenes. I had to learn to give it my all and then go home and laugh.”

“A lot of the stuff that I do with Betty is in the eyes. A lot of the feelings that I evoke with her are unspoken, so that's been fun to play with.”