I also want the chance to work with some of the best actors in the business, because that's where you can learn so much by just being on a set and getting a feel for how they approach their role and how they work with you.
I like straightforward names for my characters. When I get too symbolic with names or places, I start feeling like the characters and the story are less read, and I lose interest.
The worst thing any decorator can do is give a client the feeling that he's walking around somebody else's house; the rooms must belong to the owner, not to the decorator; and no rooms can have atmosphere unless they are used and lived in.

