I do not paint a portrait to look like the subject, rather does the person grow to look like his portrait.
You would be amazed how many important outs you can get by working the count down to where the hitter is sure you're going to throw to his weakness, and then throw to his power instead.
Paul Schofield said something like, 'If I'm not acting in a play, I don't really exist.' Those weren't the exact words, but he meant it's only when I'm acting in a play that I've got something to say about the world. And then why should I talk, when people can come to see it?

