I think the biggest thing was that I was putting pressure on myself leading up to Beijing. Now I am learning how to take that pressure off and seeing this as an incredible opportunity, but not like, 'I absolutely have to medal.'
I tell the players that the bus is moving. This club has to progress. And the bus wouldn't wait for them. I tell them to get on board.
Esquire, in a July, 1957 issue, has a photograph of me playing the French horn at the Five Spot.

