Space and time, not proteins and neurons, hold the answer to the problem of consciousness. When we consider the nerve impulses entering the brain, we realize that they are not woven together automatically, any more than the information is inside a computer.
When you get all this stuff on and you put on the guns and the hair, it has an effect on the actor. It tends to lend a certain something to the way you feel as you're just walking around looking that way.

