Light comes to us by the sensibility. Without visual sensibility there is no light, no movement.
A journalist is supposed to present an unbiased portrait of an event, a view devoid of intimate emotions. This is impossible, of course. The framing of an image, by its very composition, represents a choice. The photographer chooses what to show and what to exclude.
But I think it's always difficult when a product that you're using and accustomed to changes.

