I'm trying to change the root of funk, trying to make it more progressive, more melodic and more lyrically structured.
There's a very fine line between a groove and a rut; a fine line between eccentrics and people who are just plain nuts.
Each performance and each film is what it is. It's right and belongs within that moment. You look at it and try to make it fit your particular part of your character and your particular film.

